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HomeArt SuppliesMediums & Varnishes Oce’s Purified Linseed Oil
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Oce's Distilled Turpentine Oil
Oce's Distilled Turpentine Oil ₨300.00
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Faber Castell 9000 Artist Set Of 6 Pencils
Faber Castell 9000 Artist Set Of 6 Pencils ₨1,750.00

Oce’s Purified Linseed Oil

₨300.00

Weight 0.1 kg
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SKU: KBSCO-048(2) Categories: Art Supplies, Mediums & Varnishes Tags: #linseedoil, #oces
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  • Description
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Description
  • Best for use in Oil Paint.
  • It can also be used as a painting medium, making oil paints more fluid, transparent and glossy.
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Marie’s Rectified Turpentine Oil 75 ml

₨225.00
It can be used for diluting mediums and oil Colors Can also be used to clean brushes. 75 ml
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Marie’s Linseed Oil

₨220.00
best quality good for fine arts & crafts best for mixing in oil paints highly recommwnded for professional artist
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Oce’s Distilled Turpentine Oil

₨300.00
A fast evaporating, highly refined essential oil with the strongest thinning & brush cleaning power of all Artists’ grade solvents.
  • Suitable for removing varnish (including Dammar Varnish).
  • Keep tightly closed and away from light to prevent oxidation.
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Marie’s Rectified Turpentine Oil 100 ml

₨650.00
  • Rectified turpentine is turpentine that has been purified
  • Rectified Turpentine oil is used for: 1. Dilute oil paint 2. Cleaning painting tools 3. Thinning oil painting results 4. Cleaning varnish from paintings
  • Content: 100ml
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Lascaux Medium 2 Matt 30 ml Made In Switzerland

₨750.00 Original price was: ₨750.00.₨665.00Current price is: ₨665.00.
Applications Mix with Lascaux Acrylics to create glazes in various sheens mix with paints to increase transparency while extending volume use in collage for gluing lightweight materialscolours can be mixed into the medium to slow down drying time may be used alone as colourless sizing or primer for canvas and paper Directions For glazing, the Lascaux acrylic colours are either thinned with water or mixed with Lascaux mediums. Diluted only with water, they can be used like watercolours; however, strong dilution lowers the binder concentration and reduces the brilliance of the colours. To maintain the original binder and brilliance level, the dilution should be made with Lascaux Medium (e.g. Medium diluted 1:1 with water).All Lascaux Mediums can be mixed together. The choice depends on the degree of gloss desired. Medium 2 matt and Medium 3 satin matt can be adjusted with Medium 1 gloss to achieve specific results. Composition Pure acrylic resin emulsion.
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Winsor & Newton Japan Gold 75 ml for Oil Color

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Marabu Pouring Medium 250 ml – Acrylic Medium for Fluid Art and Pouring Techniques
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Marabu Pouring Medium 250 ml – Fluid Acrylic Medium for Pouring Art

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  • 250 ml thin liquid acrylic medium

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  • Dries waterproof and transparent

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  • Non-yellowing for long-term clarity

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Sakura Acrylic Gloss Medium 75 ml

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Winsor & Newton Galeria Gloss Varnish 75 ml

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A unique removable gloss varnish for the protection of finished artwork. This product can also be mixed with Galeria Matt
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Lascaux Acrylic Transparent Varnish 3 Satin (Semi absorbent acrylic primer) 30 ml

₨750.00
Lascaux Varnishes/Fixative For the ideal finishing treatment of a work: acrylic varnishes increase resistance to the effects of weather, soiling and mechanical stress and make cleaning easier. They have good adhesive properties, are non-yellowing, lightfast and age-resistant. A final varnish can harmonize surface sheen in a painting. Lascaux Acrylic Transparent Varnish 1 gloss, 2 matt and 3 semi gloss Composition Pure acrylic resin dispersion Properties - water-thinnable - dries to waterproof and clear film - of superior transparency - excellent adhesion, abrasion resistance and hardness - lightfast and age resistant Applications - Various applications on stable surfaces: - protective varnish for acrylic paintings - protective varnish for digital print - painting medium for acrylic systems - increases the hardness of Lascaux Artist and Studio artists’ acrylic colours - coating of wood, plywood and hardboard - transparent wood varnish for interiors Directions Protective varnish for acrylic paintings: Provides excellent protection against weathering, dirt and mechanical damage. For use as a final varnish on painted objects, dilute Lascaux Acrylic Transparent Varnish with about 25% of water and apply by spray gun or soft brush. Leave to dry for 4-6 hours, then spray or brush on a second coat. The 1, 2 and 3 varieties can be mixed, allowing you to adjust the degree of gloss as desired. A final coat helps to bring out the intensity of the colours. Transparent Varnish 3 increases the resistance without altering the sheen of Lascaux acrylic colours. Protective varnish for digital print: For best application and to obtain an even coat the varnish is sprayed on. It can also be rolled, whereby attention has to be paid to avoid film irritations like air podcets. Painting medium for acrylic systems: Add as required. Increases the hardness of Lascaux Artist and Studio artists’ acrylic colours: Mixed with Lascaux acrylic paints, the varnish provides improved grip and hardness and enhances the paints’ abrasion resistance. Add 25-50% Lascaux Transparent Varnish to the paint. Coating of wood, plywood and hardboard (chipboard, etc.): Mix 1 part Lascaux Transparent Varnish with 1 to 3 part water. Apply one good coat to seal the surface. When the varnish is dry, carefully sand off the raised fibres. Transparent wood varnish for interiors: Mix 1 part Lascaux Transparent Varnish with 1 to 3 part water. Apply one good coat to seal the surface. When the varnish is dry, carefully sand off the raised fibres. Then coat the surface with a mixture of 4 parts Lascaux Transparent Varnish and 1 part water. Special Notes Before applying the varnish the paint layer should be thoroughly dry. Depending on the thickness of the layer, the temperature and humidity, this can take 1-2 days or longer if the layers is thicker. The working temperature, given an average humidity of 40-60 %, should be above +8°C. When the humidity (over approx. 75%) is higher, the varnish should not be used below the temperature of 15°C, as problems in the film building might occur otherwise. This applies for both, the temperature during the application as well as for the first hours of drying. The film has to be thoroughly dry before exposing it to the influence of weather or mechanical stress. Depending on the thickness of the layers, the temperature and the humidity this can be between 1-2 weeks, with thicker layers even longer.
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Sennelier Fixative “Delacroix” for Charcoal Pencils

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Delacroix fixative is used for drawings in pencil or charcoal and may be sprayed directly from a distance of 12 inches. It is recommended that drawings done with sanguines or those with heavy coverage be fixed twice.
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