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HomeArt SuppliesMediums & Varnishes Oce’s Distilled Turpentine Oil
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Liquitex Pouring Medium 237 ml
Liquitex Pouring Medium 237 ml ₨2,000.00
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Oce's Purified Linseed Oil
Oce's Purified Linseed Oil ₨300.00

Oce’s Distilled Turpentine Oil

₨300.00

A fast evaporating, highly refined essential oil with the strongest thinning & brush cleaning power of all Artists’ grade solvents.

  • Suitable for removing varnish (including Dammar Varnish).
  • Keep tightly closed and away from light to prevent oxidation.
Weight 0.1 kg
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SKU: KBSCO-48(1) Categories: Art Supplies, Mediums & Varnishes Tags: #oces, #turpentineoil
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Description
  • May be fatal if swallowed and enters airways.
  • Flammable liquid and vapour.
  • May cause an allergic skin reaction.
  • Causes serious eye irritation.
  • Harmful if swallowed
  • in contact with skin or if inhaled.
  • Toxic to aquatic life with long lasting effects.
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Marie’s Rectified Turpentine Oil 100 ml

₨650.00
  • Rectified turpentine is turpentine that has been purified
  • Rectified Turpentine oil is used for: 1. Dilute oil paint 2. Cleaning painting tools 3. Thinning oil painting results 4. Cleaning varnish from paintings
  • Content: 100ml
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Marie’s Refined Linseed Oil 100 ml Medium for Oil Colour

₨600.00
  • Medium for Oil Colour.
  • Used to dilute the paint.
  • Enhances the fluency and glossiness of the paint.
  • This oil reduces the consistency and improves flow of oil colours
  • It also increases gloss and transparency, slows drying
  • Can be cleaned up with water
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Marie’s Rectified Turpentine Oil 75 ml

₨225.00
It can be used for diluting mediums and oil Colors Can also be used to clean brushes. 75 ml
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Oce’s Purified Linseed Oil

₨300.00
Best for use in Oil Paint. It can also be used as a painting medium, making oil paints more fluid,
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Lascaux Medium 2 Matt 30 ml Made In Switzerland

₨750.00 Original price was: ₨750.00.₨665.00Current price is: ₨665.00.
Applications Mix with Lascaux Acrylics to create glazes in various sheens mix with paints to increase transparency while extending volume use in collage for gluing lightweight materialscolours can be mixed into the medium to slow down drying time may be used alone as colourless sizing or primer for canvas and paper Directions For glazing, the Lascaux acrylic colours are either thinned with water or mixed with Lascaux mediums. Diluted only with water, they can be used like watercolours; however, strong dilution lowers the binder concentration and reduces the brilliance of the colours. To maintain the original binder and brilliance level, the dilution should be made with Lascaux Medium (e.g. Medium diluted 1:1 with water).All Lascaux Mediums can be mixed together. The choice depends on the degree of gloss desired. Medium 2 matt and Medium 3 satin matt can be adjusted with Medium 1 gloss to achieve specific results. Composition Pure acrylic resin emulsion.
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Lascaux Acrylic Emulsion 30 ml

₨750.00
Properties
  • Colourless, lightfast, age and weather-resistant
  • Binder with good adhesive properties
  • Dries to a transparent and waterproof film
Applications For preparing acrylic colours with powder pigments and water-based pigment preparations, primers, modelling pastes and for the setting of mosaic stones. As adhesive for paper, cardboard and fabric on absorbent supports such as paper, cardboard, fibreboard, wood, plaster, mortar, concrete, etc. Can be mixed with cellulose or starch paste as required to provide the desired bonding strength or water resistance. Directions To prepare small quantities of acrylic colours, powdered pigments can be worked directly into Acrylic Emulsion D 498-M with a palette knife or bristlebrush. Wetting is improved by working the pigment into a stiff paste with Acrylic Emulsion D 498-M diluted in a proportion of 1 to 9 with water and then adding further amount of pure Acrylic Emulsion D 498-M as necessary.
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Marie’s Gesso Primer 500 ml

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Gesso in 500ml jar for the preparation of surfaces to be painted. – Dries rapidly and leaves a light matt
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Marie’s Gesso 275 ml

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Gesso in 275 ml jar for the preparation of surfaces to be painted. – Dries rapidly and leaves a light
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Daler Rowney Paper Varnish 75 ml

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Daler Rowney Paper Varnish is a clear varnish that is ideal for protecting prints, maps, decoupage and other papercrafts. The
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Lascaux Water Resoluble Acrylic Medium 30 ml

₨750.00
 
Properties
  • Colourless lightfast and age resistant
  • remains water-resoluble upon drying
  • easily mixed with dry pigments to make colour
Applications As a binder to make perfect watercolour paints (resoluble film) by mixing it with dry pigments or watersoluble colour pastes. * See Kremer Pigments and colour pastes* ​ Easy to use, they can be progressively thinned with water into flawless fluid washes. Paint films remain.flexible in restoration work, this medium is used as a retouching medium, i.e. for paintings in layers as a medium for Lascaux Aquacryl watercolour or Lascaux Gouacheadded to diluted water, Water Resoluble Medium will increase binder content and consistency. The sheen of the paint will change from a matt one to a silkier onecan also be used as the first layer on a support to reduce absorbency, thus facilitating subsequent colour washes Directions To make small quantities of handmade paint, work dry Kremer pigments or paste directly into Water Resoluble Medium with a palette knife or bristle brush. Pigment is absorbed into the binder readily, forming a smooth paste.Wetting properties are improved by working the pigment into a stiff paste with Medium diluted in a proportion of 1 to 9 with water and then adding further amount of pure Medium as necessary. For larger quantities, the use of a whisk or mixer is advisable.Used as a binder, more Medium produces a water- colour, less Medium produces colours with a matt and opaque appearance similar to that of tempera or Gouache.Start with a 1:1 ratio and vary the ratio of Medium to pigment according to requirements (bearing in mind that light pigments need more binder than heavy ones).
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Winsor & Newton Professional Fixative

₨2,000.00
  • 150 ml
  • Colourless fixative for use on charcoal, pastel, pencil & chalk drawings to protect from smudging & dust.
  • Instructions for use:• Use at room temperature for an even spray.• The fixative spray should be used in a well ventilated room.• Shake the can before use.• Keep picture horizontal or slightly tilted.• Hold can 25 - 30 cm from your work.• For an even coating, start the spray at the side of the work and spray from top to bottom.• Apply light coats only, to minimise colour change.
  • Made in France
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